Description

This is a first Slovenian translation of Anne Frank’s diary, published in 1957, with an evocative cover and dust jacket of a mid-century design, featuring a white pigeon over a black grill.

The first edition of the book, written in Dutch, was published in 1947, with many translations in foreign languages following in 1950s.

Vagaja is was one of the most prolific and esteemed Yugoslav book designers of the post war period, responsible for illustrating over 100 (and possibly many more) books. Trained as an architect, he was active as a painter, illustrator and stage designer, and during WWII was heavily involved in underground Partisan printing. After the war, Vagaja studied architecture in Prague and Ljubljana, graduating in 1956.

Vagaja’s book designs combine modern lines with flat colourful surfaces, a common motif influenced by the techniques of Partisan underground printing, which succeeded in creating powerful images with  scarce resources, such as a limited palate employing linocuts. His narrative dustjackets were positioned in a dialogue with minimalistic covers, usually designed by simple printed and embossed lines, speaking to the heart of the story. One of the key characteristics of Vagaja’s work was his employment of maps as a narrative design, especially in the form of endpapers, where he often used cartography, based on his own drafts. Vagaja was also known as a poster designer, most famous for his draft for a 1952 Cockta poster – theSlovenian-Yugoslav take on Coca-Cola. The poster remains an iconic classic of post war Yugoslav – Slovenian design, even today adorning the walls of countless bars, restaurants, private apartments and offices (including our own!).

MOMA picked up on his work for the exhibition Toward a Concrete Utopia, Architecture in Yugoslavia, 1948–1980.

This is a beautifully preserved, possibly unused example.